‘Sonia Gomes: Symphony of Colours’ is Sonia Gomes’ show currently on display at the Pinacoteca do Estado museum, a top local art institution.

At a time when prominent UK arts institutions are amplifying women’s voices, The Courtauld has taken a significant step by presenting its first-ever exhibition dedicated to a black woman

The exhibition showcases a carefully selected collection of hidden watercolours by Turner and Bonington, both renowned for their mastery of the watercolour medium.

Celebrating its 20th anniversary, Frieze London returns to Regent’s Park, showcasing art from 160 galleries spanning 46 countries.

Celebrating its 20th anniversary, Frieze London returns to Regent’s Park, showcasing art from 160 galleries spanning 46 countries.

Marina Abramović’s major retrospective, the largest in the UK to date, is currently on display at the Royal Academy of Arts in London until January 2024.

Since 26 August, a solo show by Maxwell Alexandre has been on display at Casa SP-Arte. The artist, born in 1990 in Rio de Janeiro city, is globally recognized, having exhibited extensively in Brazil and abroad.

Tate cleverly used the walls surrounding this exhibition to engage in a fun conversation between young Sarah and today’s Sarah.

Based on the inspirational phrase of the artist Lygia Clark (1920-1988), I developed my role as an art educator, awakening the public’s memory and nurturing it.

With a vibrant selection of 121 participants, this walloping show unites mostly diasporas and native people – 80% of them self-declare as being black or indigenous.

Moved by curiosity as much as ignorance (as I don’t know much about digital games), I went to see the exhibition Third World: The Bottom Dimension, hoping to learn about this experimental project conceptualised by multi-hyphenate artist Gabriel Massan.

The exhibition explains how modern art evolved from movement to movement, Impressionism to Expressionism, redefining what painting means and its uses to paint what can’t be seen with the eye.

Sweden artist Hilma Af Klint was born in 1862, 10 years before the birth of Dutch star artist Piet Mondrian. They died in the same year in 1944 but never met, and neither saw each other’s work.

Using objects to try and make sense of the world is the core of the current Ai Weiwei’s
exhibition at the Design Museum. He questions the value of things and if time changes that.

This essay considers the intersections between the Brazilian past – starting from its colonisation by the Portuguese in 1500 – and the art of Adriana Varejao, illustrating the parallels between the Brazilian cultural, social and political context and her oeuvre.